Liina has been working as an audio visual artist and creative technologist for over six years, creating spaces that respond to touch, movement, and presence. She specialises in accessibility and inclusion, with the majority of her work developed in close collaboration with people with disabilities.

Her practice has received consistent recognition from leading arts bodies. In 2024 she was awarded funding from Arts Council England to explore interactive audio and sound design for disabled dancers. The following year, a British Council grant took her to Bali for a residency called Sonic Moves, working alongside We Are Epic and a multicultural group of disabled dancers, where she also pioneered immersive technology work with Deaf performers.

In 2026 she received funding from Immersive Arts UK for a new project titled What Do I Sound Like? An ambitious work developing interactive installation that reads your fingerprint to shape a sound only you could make, your heartbeat sets the rhythm, your movement composes the sound. The project weaves together her commitment to accessibility with her own evolving artistry as a musician.

As a composer, Liina (Also known as LNA) brings many years of experience to dance and screen. Her collaborations with Tin Arts include Helm (2019), Got Your Nose (2021), and Chance (2025). Her most recent screen credit is Plaster (2026), a short film by Gareth Malone. Her compositional voice is broad and considered, moving between smooth, melancholic cinematic scores and driving house, electronic, and more experimental territory. She is drawn to the tension between the organic and the synthetic, and consistently finds new ways to bring natural, acoustic sound into a electronic world.

As a musician, Liina is known as LNA and she moves between chill melodic house and electronica, combining acoustic and electronic elements with a cinematic and atmospheric edge. Listen her music here.

On stage, she performs hybrid audio-visual sets that weave together her creative technology, looping, violin, synths, and vocals into something that feels both intimate and expansive. She regularly integrates her own custom-built interactive tools, sensors and responsive sound design techniques that make each performance feel alive and unrepeatable.

As a neurodivergent artist who experiences sound as image, she pairs her music with visuals controlled through hand movement and the expressive sweep of her keyboard, turning every performance into a fully immersive, synaesthetic experience.

Creative Confidence and Music Production: Overcome Your Insecurities is Liina's debut book, published by Routledge. It is a practical guide for producers facing self-doubt, offering honest tools for working through creative blocks. It has resonated with readers well beyond its core audience.

The book explores confidence, creativity, and technology through expert tips and hands-on exercises. It covers the production process, the music industry, creative direction, and sustainable workflows. It closes with real stories from music professionals about moving through doubt.

Five years of research for the book deeply shaped how Liina sees interaction, confidence, and technology working together. Exploring the psychology behind how we engage with technology showed her how easily it can empower or exclude. This now sits at the heart of her practice as an artist and creative technologist. She designs experiences that feel intuitive and welcoming, so people of all abilities can explore sound with confidence.